My visual art practice operates across several platforms and media. I write, draw and publish in a variety of forms including on-line comics, periodical illustrations, trade-paperback graphic fiction, and self-published artist’s books and multiples. Thematically I am very curious about issues such as magic, hope, faith and human frailty. I also produce large-scale installations that incorporate stop-motion animations and digital print, and spend at least 50% of my waking life crocheting soft sculptures.
A lot of my work employs play as a research strategy. Areas of interest include the mindset of the collector, the sculptural and performative possibilities suggested by books and book-objects, the conceptual space that books occupy beyond the presentation of texts and images, and how the social position of works (in other words, where we tend to encounter particular modes of art) mediates how we become engaged as readers/viewers.
I am also really getting into marionettes.
I love to work with small gallery shops and retailers! If you are interested in carrying my crochet work or books, please contact me via email (shannon AT shannongerard DOT org, or click the envelope icon below) for wholesale prices and policies.
This brief animation was part of the exhibition PINK PEARL at the Gladstone Hotel in December 2011.
Print media is often characterized by a material emphasis on subtraction and addition. As a dug hole is mirrored by the mound of dirt it unearths, any removal of material from the surface of a print matrix implies an accumulation elsewhere. What meaning can be found in those liminal spaces between minus and plus? Works in PINK PEARL move past surface engagements with etched plates, burned screens, grained stones, carved wood and cut paper to explore the concepts of erasure and transcendence. Using print as a primary strategy, artists in PINK PEARL create 2-dimensional works on paper, artist books, material arts, sculpture, and animation.
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